Category: choreography

Virginia Kennard has taught across a range of disciplines and genres since the age of 14. She recently taught AJDA senior level jazz dance syllabus at Impact Dance and Stage School, Ōtautahi, and jazz dance and improvisation techniques for NASDA.

Her first role was assisting Paula Hunt in teaching Pre-Primary ballet students, aged 4-6. She was a mathematics tutor to Year 11 students during her final year at high school. Virginia taught mathematics and social studies on and off for the Victoria University of Wellington Centre for Continuing Education between 2001 and 2009.

Virginia is a contemporary dance, jazztastic aerobics, improvisation, and Muscle and Bone tutor for Movement Art Practice from 2019 to the present where she also manages a community workshop program. Virginia taught contemporary dance technique and contact improvisation in Glasgow through Dance House between 2010 and 2011, contemporary dance and improvisation as part of the Wellington Freelance Dance Collective between 2011 and 2013, and dance at Standouts Drama, Dance, and Singing in Te Whanganui-a-Tara between 2013 and 2016.

A particular teaching highlight was Jazztastic Dance Aerobics during the 2020 and 2021 NZ Lockdown via Zoom (see featured image).

Other classes and genres taught include Contact Improvisation, Improvisation, Burlesque, Stretching for Dancers, Classical Ballet, Choreography for Actors, Pilates, Yoga, plus How to do your Taxes as a self-employed NZ-based arts contractor.

We are not interested in your cis-heteronormative, patriarchal, mono-amorous, state-sanctioned, government-regulated, court-conferred notions of forever love.

We are interested in lasagne love, dogging in car parks, lesbian banter, vegan whipped cream, child-bearing hips, and our own kind of queer wedded bliss.

Blood, blood, blood ran down her legs
And i just couldn’t be more happy for her

BIG QUEER ANTI-WEDDING
Devised, designed, written, composed, installed, constructed,
performed, created and choreographed by
Alexis Lilly Denman, Alice Boulton-Breeze, Amy Mauvan, Chlöe Hall, Cieran Reed, Florence Simms, Jessica Mae Ivison, Kate Stonestreet, Nicole Murmann, and Virginia Kennard
Tech’d, managed, baked and dressed by
Jaye Kearney, Jazmine Webb, Adam Sas-Skowronski,
and Abby Morley
Featuring an original soundscore by
Marika Pratley and Chris Wratt (New Zealand

MA Performance, Artist Project Major module
Leeds Beckett University
12noon, Wednesday 6th September 2017
Leeds Music Hub, Leeds, UK

MY  MATRIMONIAL BODY BELONGS TO ME
Performed by Virginia Kennard and Amy Mauvan
WOMAN SRSLY, curated by Grace Nicol Dance
7.30pm, Friday 27th October 2017
The CentrE17, London, UK

Performed by Virginia Kennard, Alice Boulton-Breeze, Florence Simms, and Cieran Reed
Queering Ritual, organised by School of the Art Institute of Chicago and York St John University
Saturday 4th November 2017
York St John, York, UK

WHAT’S YOUR BRIDE PRICE
Performed by Virginia Kennard
S.A.M.P.L.E. curated by Alana Yee
8.30pm, Wednesday 19th July 2017
Paper Dress Vintage, London, UK

Performed by Virginia Kennard
Mother’s Bloomers, curated by Mother’s Ruin
7.30pm, Thursday 16th November 2017
ARC: Stockton, County Durham, UK

THE BLOODY BRIDE
Performed by Virginia Kennard
Tease, directed by Jeremy Haxton/Lost Cow Performances
Friday 21st November 2014
In Good Company, Wellington, Aotearoa New Zealand

Widening the Cycle exhibition
Curated by Jen Lewis/Society for Menstrual Cycle Research
4-6 June 2015
Suffolk University Law School, Boston, Massachusetts, USA
Photography by Filippo Gasparini

Performed by Virginia Kennard, Marika Pratley, and Chris Wratt
you occupy my body by looking
Saturday 20th June 2015
Toi Pōneke Gallery, Wellington, Aotearoa New Zealand

#notyourgoodqueer
#RedShoesNoKnickers
#yearoftheho2017
#againstequality

_____________________________________________________________

Photography credits

MA Performance, Leeds Beckett University, 2016-2017

  • Artist Project Minor: Were you smitten?
  • Choreography in Wider Contexts: and i breathe and it goes
  • Festival Project: Self Love is a Revolutionary Act
  • Artist Mentor: am i ever gonna be enough?
  • Artist Project Major: Big Queer Anti-Wedding

Watch the short film and i breath and it goes
Please contact Virginia for the password

Featured imaged taken by Virginia Kennard, edited by Stephen Daniels

Photography by

  • Kiran Mehti
  • Daisy Petley
  • Stephen Daniels
  • Jaye Kearney
  • Bella Murray-Nag

In times of social upheaval and societal change, women’s bodies become the target for pearl-clutching and knicker-twisting. I have no time for your Moral Panic, women’s bodies and women’s sexual agency is not a platform across which you must enact your politics.

Please visit Virginia’s MORAL PANIC website for more information.

A Pesky Upstart

Bludging all your CNZ money

Were you smitten?

Taking up space

I’m sorry about your fragile masculinity

Feminising space

Won’t fucking shut up

Look at what you’re wearing

That damn chair

Yes those are my undies. Would you like some gin? [Working title: The gin and undies dance]

Get the fuck away from me

Fuck your femme shaming

But whyyyyyyyyyyyyyyyy?

Stop stomping on my body for your revolution

Capitalism and sex

Millenials can’t have nice things if they want to buy a house

Minimalism will not solve capitalism

There is not such thing as ethical consumption

My body is not anyone’s property

Sex work and commodity fetishism

Sex work IS work

#sorrynotsorry

You don’t own me

I am allowed to own objects

My frivolity will not hurt the Cause


Photo Credits:

  • Featured image: Daisy Petley, am i ever gonna be enough, Hyde Park Book Club, Leeds Beckett University, MA Performance assessment, Artist Mentor module, 2017
  • Gillian Dyson-Moss, Were you smitten?Leeds Beckett University, MA Performance assessment, Artist Project Minor module, December 2016
  • Stephen Daniels, Self Love is a Revolutionary Act, NEWK, Live Art Bistro, 2017
  • Lachlan Forsyth, Don’t Look, TV3 Story, September 2016
  • Virginia Kennard, am i ever gonna be enough [in rehearsal], Leeds Beckett University, MA Performance, Artist Mentor module, 2017
  • Daisy Petley, am i ever gonna be enough, Hyde Park Book Club, Leeds Beckett University, MA Performance assessment, Artist Mentor module, 2017

Since graduating from the Wellington Performing Arts Centre (now Whitireia Performance Centre) with a Diploma in Commercial Dance: Distinction, Virginia has performed in various choreographies and works, in Auckland, Wellington, Glasgow, and Melbourne. She continued her dance training at UNITEC pursuing a Bachelor in Performing Screen Arts majoring in Contemporary Dance, honing her choreographic skills and creating work for Tempo Dance Festival.

Choreographic works include:

  • and i breathe and it goes, dance film, performed by Alice Boulton-Breeze, soundtrack by Emi Pogoni, May 2017
  • and i breathe and it goes, performed by Alice Boulton-Breeze, part of Choreography in Wider Contexts module, MA Performance, Leeds Beckett University, May 2017
  • Self Love is a Revolutionary Act, part of the MORAL PANIC series, premiering at SIBIU INTERNATIONAL THEATRE FESTIVAL, June 2017
  • Moral Panic 1.0, Autumn Variety Show, Newtown Community Centre, Wellington 2016
  • Big Juicy HeartQueerlesque, Ivy Bar, Wellington 2013
  • i’m a get your heart racing in your skintight jeans, for S.A.M.P.L.E., Thistle Hall, Wellington 2013
  • i am standing on the threshold of a decent conversation, for Wellington Freelance Dance Festival, Matchbox Studios, Wellington 2012
  • Who is this person, solo for Sarah Iwaskow, UNITEC, Auckland 2008
  • Don’t forget the buttons, Fresh Cuts, Tempo Dance Festival, Auckland 2008
  • An Alternative Version of Your Own Life, Dance Your Socks Off! Festival, BATS Theatre, Wellington 2007
  • I’m just sorting my shit out, Dance Your Socks Off! Festival, NZ Film Archive, Wellington 2006
  • Inertia Creeps, debut solo choreography, WPAC, Wellington 2003

Photo credits:

  • Jaye Kearney, Leeds Beckett University, 2017
  • Stephen Daniels, LAB, 2017
  • Tim Hackett, 2007
  • Alana Yee, 2013
  • DeTune, 2006
  • Rachel Ruckstuhl-Mann, UNITEC, 2008
  • Alana Yee, 2013
  • Tempo Festival, 2008
  • Virginia Kennard, 2012
  • Rachel Ruckstuhl-Mann, UNITEC, 2008
  • Tempo Festival, 2008
  • Detune, 2006

Performance research by Virginia Kennard

What does it mean to look and to be looked at?
Reversing the Gaze
Looking in to look out, looking back

  • Video how do i look? for explicit: implicit, The Porn Project, Auckland 2013
    Movement performance by Virginia Kennard
    Sonic composition by Emi Pogoni
    Vocal artists Vincent Konrad and Rose Blake
  • Performance installation The Lady Garden
    Featuring live naked women as desexualised objects, asking the audience to renegotiate the lens with which they use to look at women and women’s bodies
    World premiere, Matchbox Studios, Wellington, December 2012
  • Notes on looking
    to and fro
    , Artspace, Auckland 2014
    Short + Sweet Dance Festival, Auckland 2014
    The Menagerie, Fringe Bar, Wellington 2015
    you occupy my body by looking, Toi Pōneke Gallery, Wellington 2015
  • Spoken word performance What is body positivity?
    Poetry in Motion, Heaven Pizza, October 2013
  • Pole performance Voyeurist
    Performed for The Pole Room, Sci-Fi Fantasy show, Fringe Bar, Wellington 2015
    Mashup by Betty Lightbulb

Since graduating from the Wellington Performing Arts Centre (now Whitireia Performance Centre) with a Diploma in Commercial Dance: Distinction, Virginia has performed in various choreographies and works, in Auckland, Wellington, Glasgow, and Melbourne. She continued her dance training at UNITEC pursuing a Bachelor in Performing Screen Arts majoring in Contemporary Dance, honing her choreographic skills and creating work for Tempo Dance Festival.

Performance experience includes:

Photo credits:

  • Serene Lorimer, for Circular Persuasions, The Performance Arcade, 2012 [featured image]
  • Kristy McCormick Art and Imagery, for Untitled Queer Commercial Dance Show by Jeremy Haxton, 2015
  • Cameron McMillan, for Yes. No. Maybe? by Alana Yee, 2012
  • Ashley Church for BLOOM by Marisol Vargas, 2014
  • Zoe Platt-Young, for Hallelujah Society by Mariya Kupriyenko, 2014
  • Serene Lorimer, for Circular Persuasions, The Performance Arcade, 2012
  • Kristy McCormick Art and Imagery, for Untitled Queer Commercial Dance Show by Jeremy Haxton, 2015
  • Jeremy Brick, for PARTY by Juliet Shelley, 2012
  • Robbie Sweeny, for Turbulence by Keith Hennessy, 2011
  • Aidan Grealish, for Yes. No. Maybe? by Anna Flaherty, 2012

CONTACT

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© Copyright Virginia Kennard 2016